
Jean Rouch
Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Known for

Ciné-Portrait of Raymond Depardon
1983

My Conversations on Film
2013

Outlaw
2025

The Lovely Month of May
1963

Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)
1999

Chronicle of a Summer
1961

The Dreamed Films
2010

Jean Rouch: First Film 1947-1991
1991

Cinématon
1978

Samba the Great
1977

Freddy Buache, le cinéma
2012

The Mad Masters
1955

Son of Gascogne
1995

La Nouvelle Vague par elle-même
1964

The Doll
1962

Pierre Fatumbi Verger: Messenger Between Two Worlds
1998

Letter to Jean Rouch
1992

Germaine chez elle
1994

Ciguri – Tarahumaras 98 - La Danse Du Peyotl
1998

A Friendly Handshake
1997

World Without a Game
1966

Jean Epstein, Young Oceans of Cinema
2011

Nouvelle Vague : El cine sin dogmas
2000

Encountering Jean Rouch
2003