
Hisayasu Satō
Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
Known for

Pink Physical Examination
1985

Chikan densha: Iyarashii kôi
1993

I Stand Alone - SEX & LOVE
1996

Groper Train: Final Stop
1986

Autumn
2016

Female Prisoners: Brutal Treatment
1984

Cruising Love Story
1991

Groper Train: Start at the Back
1987

Tokyo Elegy
1999

Zetsukin gyaru: Yaruki munmun
1985

Wakazuma Misshitsu Bôkô Jiken
1985

Lord, Have Mercy: An Interview With Hisayasu Sato
2026

Japanscope, panorama de la nouvelle Nouvelle Vague
2015

Cross the Lens
2006

Lost in the Bedroom: An interview with Kyôko Nakamura
2026

Escape 3: An Interview with Hisayasu Sato
2026

I'm Being Watched: An Interview with Hisayasu Sato
2026

Walking in Circles: Shinjuku with Hisayasu Sato: Part 3
2026

Revenge in S&M: An Interview with Hisayasu Sato
2026

Walking in Circles: Shinjuku with Hisayasu Satô: Part 2
2026

Unidentified Followed Objects (UFOs): An Interview with Hisayasu Sato
2026

In The Sea of Trees